The “Sex and the City” movie represents a kind of paradigm shift: It seems to be the first major motion picture produced with the TV series box-set purchaser in mind. If you curl up with your DVD player and watch seven or eight episodes of “Lost” or “The Sopranos” or “Buffy the Vampire Slayer” in one go, then spending 135 minutes (or, if you prefer, five episodes) in the theater with Carrie and the gang won’t seem unusual at all.
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